Unsurprisingly, Sunday's Grace Potter and the Nocturnals show in Shelburne proved to be perhaps The social event of the summer.
It's always rather odd, concert run-ins. I can think nothing of traveling three and a half hours from "home" and waving at familiar faces; I find it crazy to see their Vermont counterparts when I'm a short drive from my house.
The logic? Well, it often seems as if I hit up more Boston shows than Vermont -- and the Boston scene circles tend to run smaller than one might think.
Anyway. Back to the sloping greens of Shelburne. It seemed as if everyone in the surrounding communities packed up and moved over to the stage-adorned hill for the night. I found myself busy offering greetings and offering commentary on who was who.
Hi! Helloooooo! Oh, hi there. Yo! Hey, you!
It was nice for a girl accustomed to knowing of people who don't know her to receive many a greeting. Refreshing. A change of pace.
It should have been expected, though, as people had been waiting for this show for at least several months. The homestate boys and girl GPatN have been off traveling the country, bringing the blues/rock/soul sound from Vermont to new ears and seemingly enthusiastic crowds. The buzz has been growing, the label is getting ready to bring the band in for new recording sessions, and the Green Mountain folk have patiently counted down the days until we got another dose of the music.
The rains that had threatened all weekend held off just long enough for a long, tight, energetic set. New material indicated the band's foray into more of a rock sound, but with the storytelling lyrics for which Potter has grown renowned. Some of the older tunes are being reworked -- my personal favorite, "Stop the Bus," continues to take an electric slant and gets better each time I hear it.
(Which is why a bystander looking into the third row during that song's performance would have seen me, huge grin on my face, joyously singing along.)
The rules for the concert series specifically limit dancing to the sides of the stage, and the band held off provoking the crowd as long as they could. But as the skies deepened in hue, Potter told the crowd that she thought it was time they stood and danced -- which meant that a few thousand people sighed of relief, jumped up and boogied away. An older (and by that I mean Old) man a row ahead did all but flash the band the devil horns.
It was pretty goddamn glorious.
Apparently, the band will be back for a few Higher Ground shows leading up to New Year's Eve -- I'm playing around with that idea, as well as the Paradise gigs lined up for (I believe) at the end of this month. My favorite Vermont band at my favorite Boston venue?
I know. How could I resist that?
In other news, sorry for my absense. Unintentional, and I'm returning with some anecdotes and ramblings in the next couple of days. Some news, too, but I can't really share that yet.
In the meantime, how are you guys doing?
(in the fine tradition that is photo posts in blog entries, click above to go to the rest of the set.)
9.04.2006
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